He asks Vizzini to chose a goblet they will both drink at the same time. He tells Vizzini that he has put it into only one goblet. Westley puts a deadly undetectable poison (iocane) into two goblets of wine. Where the other battles are sporting events between individual men, this one concerning Vizzini is won by deception (a lie). This is a battle between Westley (Man in Black) and Vizzini. Maybe Grandpa Falk just wanted to bond with his grandson, whilst giving him a good story and some irrelative life tips (like be confident, don’t be a swindler, patience is a virtue, and be careful of gigantic rats).There are a number of battles that occur in the "The Princess Bride." One such battle is a "Battle of Wits" for the life of Buttercup. The heavy handiness that could have been, isn’t. Otherwise, the kid’s not really done anything bad to warrant a life lesson. He doesn’t really feel like hearing Grandpa’s story right now (perhaps this is a tale Grandpa Falk told Savage’s parents again and again). Why is young grandson Savage learning so much? The kid is staying home from school because he is sick. It’s the off beaten path that makes it all worthwhile: the fourth wall breaking, the irony, the sarcasm and the maturity (that hardly resorts to crude humour). It is still a fairy tale (of sorts), after all. Does The Princess Bride follow lines of familiarity? Sure. The adults that watch this film with their kids (or on their own terms, of course) are going to have a whip-smart desecration of the sterile fantasy films that have been done to death. That’s why The Princess Bride has staying power.Ĭhildren are due to have a fun time with the film’s action, wackiness, and pacing. That’s why this well-thought-out tale is still a shocker there is something powerful underneath heaps and heaps and heaps of stupidity. There is no way grandpa Falk had nothing to do with these slides. A hero (Westley, disguised as the Dread Pirate Roberts) has returned to rescue Princess Buttercup from a marriage to the evil, cowardly Humperdinck. It’s honestly hard to dislike this film, because it will touch your heart (with emotions), your mind (with wit), and your soul (with uplifting humour) in at least some ways.Īt the heart of all of these antics, is a surprisingly deep story of retribution. Every bought of stupidity comes from a place of tenderness. The Princess Bride is silly, without question it is still to be taken seriously, though. Back when Rob Reiner was still comfortable with his tightrope walk between sincerity and satire, it made sense that he would adapt William Goldman’s original novel (Goldman also wrote the screenplay, and his understanding of both mediums is a definite contribution to this film’s cleverness). It’s because he does care he’s just tired of repetition. None of this is because Grandpa Falk doesn’t care. Sure, they may appear in the book Grandpa is reading, but I doubt they were meant to be quite like this portrayal. You can apply this logic to any of the characters. Grandpa Falk might be fed up with the smart alecks of the world that give him verbal runs-around, so we get Vizzini as a stupid intellectual. Take his philosophical and societal views, for instance. Grandpa wants to inject some of his own life lessons in there? He sure will, through a series of tribulations. This plot mechanic renders the film inventive as it goes. Grandpa’s creative, resilient boredom results in our refreshing family comedy-drama. It’s clearly the story the kid (Fred Savage) wants, and it’s clearly the story Grandpa Falk is tired of giving. Grandpa Peter Falk says “You want a story? Here’s your story!” and proceeds to give us a typical fairy tale done differently. It utilizes the guardian-reading-to-a-youth trope so well, as a response. It knows it’s a film for children by adults (and everyone in between). What makes The Princess Bride stand out ahead of the pack when it comes to family based films, is how self aware it is.
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